Bianca, You Animal, Shut Up!
Our problem in understanding forced schooling stems from an inconvenient fact: that the wrong it does from a human perspective is right from a systems perspective. You can see this in the case of six-year-old Bianca, who came to my attention because an assistant principal screamed at her in front of an assembly, "BIANCA, YOU ANIMAL, SHUT UP!" Like the wail of a banshee, this sang the school doom of Bianca. Even though her body continued to shuffle around, the voodoo had poisoned her.
Do I make too much of this simple act of putting a little girl in her place? It must happen thousands of times every day in schools all over. I’ve seen it many times, and if I were painfully honest I’d admit to doing it many times. Schools are supposed to teach kids their place. That’s why we have age-graded classes. In any case, it wasn’t your own little Janey or mine.
Most of us tacitly accept the pragmatic terms of public school which allow every kind of psychic violence to be inflicted on Bianca in order to fulfill the prime directive of the system: putting children in their place. It’s called "social efficiency." But I get this precognition, this flash-forward to a moment far in the future when your little girl Jane, having left her comfortable home, wakes up to a world where Bianca is her enraged meter maid, or the passport clerk Jane counts on for her emergency ticket out of the country, or the strange lady who lives next door.
I picture this animal Bianca grown large and mean, the same Bianca who didn’t go to school for a month after her little friends took to whispering, "Bianca is an animal, Bianca is an animal," while Bianca, only seconds earlier a human being like themselves, sat choking back tears, struggling her way through a reading selection by guessing what the words meant.
In my dream I see Bianca as a fiend manufactured by schooling who now regards Janey as a vehicle for vengeance. In a transport of passion she:
- Gives Jane’s car a ticket before the meter runs out.
- Throws away Jane’s passport application after Jane leaves the office.
- Plays heavy metal music through the thin partition which separates Bianca’s apartment from Jane’s while Jane pounds frantically on the wall for relief.
- All the above.
The best advice in this book is scattered throughout and indirect, you’ll have to work to extract it. It begins with the very first sentence of the book where I remind you that what is right for systems is often wrong for human beings. Translated into a recommendation, that means that to avoid the revenge of Bianca, we must be prepared to insult systems for the convenience of humanity, not the other way around.
read more at http://www.johntaylorgatto.com/underground/prologue.htm